Back at Bath Spa again for the final part of my 3rd year of the Fine Art degree.
A dissertation to write and a presentation & new website to construct for Professional Practice.
Had a very art based weekend,
- Friday at Frieze Art Show
- Saturday morning stewarding at Black Swan Gallery in my nearly new home town of Frome. the amazing show by Gladys Paulus is just so evocative I will continue to tell everyone about. felt costume images of her family history
- Saturday evening at the PV for Wells contemporary art show WAC entitled Rewind Its basically a review of the recent winners of the competition following the death of Kate Noble who was a leader in its inception.
Where will my own art work feature in what I am doing as the Studio practice element of the degree is now complete.
To some extent there is a relief that I can just take sometime to consolidate without having to constantly put everything out there for scrutiny
Well practically all I have done re my own work is begun to create a new white base layer on a collage I completed sometime ago. and from here?
After a number of months wishing to get to this exhibition I made it last week! On Maria Lassnig a Painting Survey, 1950 – 2007. This has been touring internationally for a number years.
It demonstaed how her work progressed, She started working abstractly in geometric form, and there were examples of abstract monotone work in the 1950s. Thereafter moving to colour and then the transformation into paintings focused on how she focused her own body experience . Her work has been compared to that of the surrealists. Her education was interrupted by the war and I am unclear quite what happened to her artistic and other education with the annexation of Austria. I would assume neither her abstract or figuration would fit with acceptability of the Nazi era
A description of her work from Hauser and Wirth in the gallery in which ‘she captured physical sensation as felt from within. Lassnig devoted much of her career to recording her physiological states through a direct and unflinching style, believing that truth resides in the emotions produced within the physical shell.’
A quotation from the artist displayed in the exhibition perhaps are art work itself ‘I stand as it were, nude in front of the canvas, without intention, without plans, without a model, without photography, and let things take shape. But I have a starting point which arose from the realisation that the only truly real things are my own sensations, which transpire within the house of my body; they’re psychological, the sensations of pressure when sitting and reclining, of tensions and spatial extension- such things are rather difficult to depict.
Frequently used animals perhaps a frog where one might see a human limb emerge.
Fascinating to introduce another who has no knowledge of her visceral work
I have found this exhibition of Louise’s work really encouraging,and evocative, prints botanical and humanity, textiles and sculpture addressing the psychological, made in the later part of her life ie 80s and 90s! and working through her life and experiences as she always did. The wording alongside the printed image above’ I’m losing my mind, my feeling, the keys’ ( yes I know that experience). I went to a seminar there yesterday which looked at Louise in her context of becoming famous in her 70s when she was known and worked with well known others decades before.The position of women artists historically, and the reality of it being an issue still. An argument for the end to a chronological approach. Reflecting quite a lot of attention on current printmaking and artists books with subversive message and meaning. Often Women artists publishing them now. Hope? or as there was discussion still an appropriate theme? A young student responded yes we still need these issues raising as we know they are still current
I have spend much of today at the main site of Bathspa university at an enormous video screen. This is where there is a live link up with a memorial walk that is taking place between Belsen and the work camp which Ester Bruenstein survived. Her daughter Lorna is taking part in the walk. A replication of the walk has already taken place in Somerset last year led by Lorna and Richard White who makes walking his art practice #forced walks #walknow.
This walk is taking on the 70th anniversary of the liberation of the Belsen concentration camp
forced walks website
How did I come to be here, well interest and concern is one reason, I came cross Richard’s practice through the Richard Long masterclass in November, work building on IT skills is another, and hoping to be able to add whatever’s possible from my experience of engaging with the public and the sound clips we got to work through my phone do seem to make it less likely for people to walk past without engaging