Some months ago I was cleaning the inside of my car, not a frequent occupation, and emptied the passenger side pocket and found a zinc printing plate I had last used on Art Foundation 4 years ago Birmingham City University, previously based at the wonderful Bournville. This discovery led forward and in a way backwards to a whole new area of drawing and therefore printing work at Sandra Porter’s studio http://www.sandraporter.com/ to transform the work I did previously from drawings of folks clearing the River Brue at Bruton last summer. Since I’d just completed that set the timing was both serendipitous and inspiring
So what now with plans for a solo exhibition at http://www.bluecedarprintworks.co.uk/ in Glastonbury, from, wait for it Friday September 13th! into mid October. I’m planning for the show mainly to be of print, with a couple of humorous and quirky drawings called chicken and the 2nd renamed by a friend’s granddaughter ‘the duck going down the river’.
This Graduate exhibition has run its course, its been a learning curve both showing my own work and dealing with the complexities of setting up a rota involving 35 participants! All in the past now. Near the end of the show I was energised by the sale of my second of the Yellow moves painting to someone whose experience of the Art world is much greater than mine. This painting Yellow Move 2 was put together very shortly before our work was sent to London. it was not thought about or considered in advance it just came! In fact it was too late to be part of the exhibition and therefore was placed in the exhibition shop. The image came about from an image made of a model moving in a life drawing session, which I took into my series yellow move . I experienced this sale was a real compliment.
Within the exhibition itself I hung ‘2 right feet’ based on the topic of bodily imperfection, and rerefered sometimes coordination issues something that I am familiar with, and issues surrounding ageing
and yes I will go on, certainly with more work including more Yellow moves and hopefully in time more formal as well as informal study.
I also exhibited a photographic work, ‘Letting the Light in’ experimenting with twinning images this time on the far from white wall! Both of these works introduced I felt a spookiness