I have found this exhibition of Louise’s work really encouraging,and evocative, prints botanical and humanity, textiles and sculpture addressing the psychological, made in the later part of her life ie 80s and 90s! and working through her life and experiences as she always did. The wording alongside the printed image above’ I’m losing my mind, my feeling, the keys’ ( yes I know that experience). I went to a seminar there yesterday which looked at Louise in her context of becoming famous in her 70s when she was known and worked with well known others decades before.The position of women artists historically, and the reality of it being an issue still. An argument for the end to a chronological approach. Reflecting quite a lot of attention on current printmaking and artists books with subversive message and meaning. Often Women artists publishing them now. Hope? or as there was discussion still an appropriate theme? A young student responded yes we still need these issues raising as we know they are still current
I have spend much of today at the main site of Bathspa university at an enormous video screen. This is where there is a live link up with a memorial walk that is taking place between Belsen and the work camp which Ester Bruenstein survived. Her daughter Lorna is taking part in the walk. A replication of the walk has already taken place in Somerset last year led by Lorna and Richard White who makes walking his art practice #forced walks #walknow.
This walk is taking on the 70th anniversary of the liberation of the Belsen concentration camp
forced walks website
How did I come to be here, well interest and concern is one reason, I came cross Richard’s practice through the Richard Long masterclass in November, work building on IT skills is another, and hoping to be able to add whatever’s possible from my experience of engaging with the public and the sound clips we got to work through my phone do seem to make it less likely for people to walk past without engaging
2 weeks ago I ‘discovered’ American artist Alice Neel(1900-1984) and continue to be utterly inspired the more I learn about her.
Her portraits are what immediately caught by attention this includes a self portrait that she painted in her 80s. Looking straight into what must have been the mirror. She painted key figures in feminism in the 1960s Linda Nochlin, totally politically aware painting key figures in left wing grass roots politics.
As I look at her biography and look at some many images I see a woman whom tragedy touched on numerous occasions.
She painted Andy Warhol shortly after he was shot, looking fragile with scars.
She painted her figures clothed and unclothed, as herself real and true to life no airbrusing here! Often painting her fellow artists naked, very much real flesh . It seems one of these of Ethel Ashton is on loan to the Tate, so I have just got to see it. Will write more.
Cannot manage to save the images so words will have to do.